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Confessions of a Video Vixen - Report Example

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This report "Confessions of a Video Vixen" discusses how the course readings or films would explain men's responses, as outlined in the book, to Karrine as a potential girlfriend a Hip Hop context. The mutton of this account deals with Ja Rule's companion as a susceptible dope…
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Confessions of a Video Vixen
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In the explanation of how the readings or films would explain mens responses, as outlined in the book, to Karrine as a potential girlfriend or wife in a mainstream Hip Hop context. The mutton of this account, deals with, with additional things, Ja Rules companion as a susceptible dope, Shaq as an exceptionally openhanded but insufficiently brilliant, Bobby Brown as a big drug addict that she slapped silly, Usher being a cocky, discourteous jerk, and finally P-Diddy as probably being an introvert. Here is the way she remembers her initial encounter with Jay-Z, who asked her for a cruise in his posh vehicle in a break after doing a music video. Following not many periods of silence, Jay took out his genitals, wrapped it with a condom, and forced her head on it. They cruised along for a while and then got back to the shoot out as nothing transpired. She denotes the manner she emerged being the confidante of so many renowned personalities and the way she found herself in the drama theatre of Hollywood after living a life full of ordeals. She had been physically violated, raped and been involved in drugs at a tender age of twenty-six years old. The volume is written and narrated with a shoddiness that goes against the imagination decrees and gravity. The reader might weep all through the script and promptly relinquish it back to the stores or place of origin. None that she managed to study in her endeavors in the Hip-hop culture comprised grammar or a way of telling the story. The book makes a person speculate the reason why they did not employ a ghost artist or author or even Neil Strauss to compile and write the volume. Neil Strauss could at least have made the book comprised of quagmire of stupidity and dilapidation to some extent more decipherable. Nevertheless, the saddest component of this entire book is that it would almost certainly do more to give confidence than dishearten youthful girls with squat sense of worth to pursue her path. For a deterrent account, there is not a complete lot of discouragement going on. Opinionative, any small minded or youthful girl would want to share the same dance floor with a superstar or even have the person pay her bills. This is because they fancy fame and consider the big fish as having very fat bank accounts. No one in this world would ever have heard the name Karrine Steffan, but maybe her face has been seen in hip-hop videos like Hey Papi that was sang by hip-hop legend Jay-Z and Dangerous by Mystikal. She has also featured in A Man Apart acted by Vin Diesel. Steffans commences her humid page-turner by means of a small number of chapters concerning her ill-treated early days on the St. Thomas Island. She arrived to America to subsist with her truant father. However, that was not any good to her. After that, she ended up drenched by a personality who termed himself Kool G. Rap, a ruined hopeful whose genuine personal name is Wilson Nathaniel. Worn-out of being trampled, she considered suicide, but as an alternative left her infant with his vicious father, putting her destination on L.A. Being employed in a boob job the author later realized that she possessed a certain authority over male counterparts, and was elevated by the notion of pleasing guys that numerous supplementary women sought after. The volume might be the most revealing expose’ and frank book of all times and is definitely defied for any person to put down. The volume is supposed to be a fundamental reading for all dreamy, hopeful actor even having thoughts of reaching the higher heights of Hollywood. This is for the reason that supposedly, half of the claims comprised in this rhythmic confession are factual; people are absolutely justified for all their denunciations against hip-hop as misogynistic. Many individuals wrote in demonstrating their unwillingness to read this exertion. In addition, it is understood for people to have the thoughts of shunning trashy writing and sustain themselves superior to it but on the contrary, it is also correct to deem the writer’s memoir as a solitary female’s truth narrating regarding the sexual aggression she has tolerated in her entire existence. 2. Not many years ago, Karrine was not only a dancer, a video queen who mastered breast-implants, but also many more as she asserts for a number of the mainly famous legends in hip-hop, Film videos in Hollywood and superstars in sports. She articulates that she did her shopping at the best stores, attended the top cream the parties and still took pleasure in a four-month episode through which, she articulates, one superstar sports personality was depositing ten thousand dollars monthly in her private bank account so that Karrine would be present at his quirk. The author not only provides scandalous particulars, but she also depicts names in a volume she terms Confessions of a Video Vixen. The book is programmed to be already in multiple stores in America. In a meeting with the NEWSWEEK, she depicts that she had no intentions of hurting or embarrassing anyone in her narration because that is merely and entirely her story and does not include them individually. She further articulates that it is what happened to her in a graphic perspective and she is just placing it to the public as plain as it is. Surprisingly, she confers that what she depicts is only 40 percent of the entire happenings. It is further than sufficient. Some of the incidents that the author relates are funny and amusing, as if the night-time a substance-fuelled comedian allegedly told her that he was a constituent of Al Qaeda, in normal link with Osama who is the renowned terrorist of all time. Her individual narration is not. She portrays having a truant father, getting sexually molested at the age of 15, being a strip dancer, marrying the wrong men, sailing through a couple of years with personality hook-ups and, in the year 2001, overindulging in a concoction of drugs and ultimately comprehending that the party had come to an end. This might sound stupid as she explains that she really deemed these men to at least care and be for her if she required or asked for their comfort. She continues to assert that in the entire encounter she had never made any action to hurt them. However, she was homeless and struggling for her existence with no one caring about her. This is the narration that many youthful women watching the award shows like BET do not know about or even see. She articulates that her purpose was to help them see this in this narration of her story. It is apparent that now, there is no mention of the people’s names except for Osama. The associate executive of PR, Gilda Squire, articulates that the volume was fact scrutinized against reports in newspapers, articles in magazines and numerous people familiar with the renowned celebrities in the book. NEWSWEEK endeavour calls up to three celebrities. One representative did not have words to comment whereas one celebrity said that he could not deem or further believe that all of these facts are laid to him. The last star in question asserted that he does not value or see the sense in what the author has written. Her narrations, factual or not, might attest so awkward that no famous person would desire them aired in a jury or court. Somehow, the thought that people have not seen or heard anything from or of her for a long time is got. Steffans, who tells that presently, she is in a dreadfully fulfilling affiliation with Bill Maher and is currently at exertion on a book and in discussions for a film and, unavoidably, a reality show. She articulates that it would not be termed "Dancing with the Stars" for her personal reasons that: Where youthful girls at one time desired to be modeling icons and ballerinas, they presently desire to be video women of hip-hop. She sat down to put down this volume for the reason that she deems that her account could serve as a caution to any person desiring the type of life she has lived. Similar to numerous youthful girls, she grew up desiring to be well known. She used to look at television and have vision on the Beverly Hills way of life perceived in all her preferred films. She attained a majority of her goals, but she could not attain them in a truthful and conventional manner. She attained her success having employed the old trick in time of sex. She was renowned as "Super head," the voracious lover of a lot of Hollywood superstars, sports personality, and a number of musics mainly prominent artists and executives. Her hips have been seen and busted on MTV while she boogied on top of tables and poolside in a number of people’s favorite videos. The prime reason a female finds herself involved in a hip-hop video, lying nude over a luxury vehicle while an artist is saying coarse things concerning her, is that she lacks a sense of worth. No person who values, adores, or recognizes herself would permit herself to be situated in that a demeaning position. When she was interviewed a number of years ago, she impressed by the mention of a string of boundless names of renown personalities she uttered in the course of a TV show conversation. The then mysterious actress, who at that time was doing her screen first appearance in A Man Apart next to Vin Diesel, by no means ever articulated precisely her actions to become successful in Hollywood. Having been a single-mom, she became unquestionably uncomfortable that all her life she had barefacedly slept her trail to success, behaving specifically in the manner recommended by the entire misogynistic gangsta hip-hop videos that she featured in. However, after nearly vanishing from drug overindulgence at Mr. Chows, a fashionable bistro in Los Angeles, she opted to bottom out. Fortunate for her, she realized God, quit drugs, dumped her self- unhelpful way of life, and re-devoted herself to supporting her juvenile son. It is hopeful for the rest of other aspiring video girls, that she resolved to putting down the volume Confessions of a Video Vixen, a tell the truth life history recounting the striking details of her immodest liaisons. Unfortunately, for all those who loved her, scores of whom were matrimonial, she depicted their names, and yet still rates them in aspects of size and contentment. Designated super head for an expertise that requires no elucidation, she turned out to be very popular in definite spheres. She had the capability of being among those leaving marks on her badly carved bedpost with hip-hop artistes and rappers namely; Puff Daddy, NBA leading light Shaquille ONeal, Hollywood superstar Vin Diesel, rock artist Fred Durst and Dr. Dre. The aspect of gender has been completely over blown. A person therefore fails to understand what happens to the mainstream female rappers. Do they also abuse men like the way their male counterparts do? 3. The writer as a video whore is in fact telling her narrative. She might not be the type of spokes person people are familiar of and would desire to hear. On the book cover, she is still nude and it should not be confused that the account is useless since the cover depicts that she has not yet changed. However, that is absolutely a framework but not the point she is portraying. This could actually be referred to the slave narration of Harriet Jacobs. On the time she was writing this book, all the enslaved females were rated as useless whores. The evident nature of light-skinned physical outlook was the proof of the marriage of the black women and white males therefore depicting the black females as being loose. Mrs. Harriet narrated her story concerning the absolute truth and reality. Moreover, this comparison does not portray or contrast the writers’ encounter is in any manner matching or being similar. This can be expressed out rightly in black and white. This makes people think and see the larger representation. A question is asked on the number of instances seen or even heard on the account of women violated sexually through pornographic videos, rape and even prostitution. On stipulations that people do not desire buying the book they could at least read it in the libraries or via the internet. The book acknowledges that people need to have acquaintance of the truth that they exist in a civilization in which this kind of misfortunes happens daily. Trails of thinking concerning only in matters of making money by writing a book are long gone. No blame is made to the writer for revealing the hip-hop course but the men or the people responsible for tarnishing the name of the industry are to be scrutinized for whatever down fall. Every female who has had occurrence with sexual sadism of whichever type has not merely possessed pain or hurt, but now possesses knowledge. People are living under supremacy of dread and the simple and solitary manner that this normalcy can be stopped is the stipulation that people decline to have forgetfulness each day of life. The women acting or participating in the shooting of the video would respond to this book in a controversial manner. Maybe they will be cautious of their ways but who knows. It is normally articulated that where there is money there is evil and the women will continue in their endeavors just to make money. References Steffans, K. (2006). Confessions of a video vixen. New York: Amistad. Read More
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