Otto Wagner - Term Paper Example

He showed his true genius in his many monumental buildings as well as through outstanding conception and functional designs. Wagner was born on 13th July in the year 1841. The designer’s father died when he was about 5 years old. Otto attended Vienna academy and later, in between 1857-1862, he went to the polytechnic institute of structural design1. Still on his struggle for knowledge he as well attended a visual arts academy with his two friends: Eduard von der null and August Sicard von Sicardburg.

Before becoming a renowned architect he was an apprentice especially in the field of visual arts and architecture. He designed several buildings with outstanding unique features but many of his works were never realized. Otto Wagner had two sons Sofia Paupie though these two couples were never married, he adopted these two sons (Mallgrave, 19933, 54). His marriages took place only due to the pressure of his mother therefore he ended up getting married twice. His first wife was Josephine Domhart while the second one was Louise Stiffel.

He later died in the year 1918 at the age of 77 leaving behind his two wives, three sons and a daughter. In the history of design Otto remains the father of the modern architecture in Vienna. The buildings he designed define the ancient outlook of Vienna at the crack of the twentieth epoch. In the urban planning engineering, Otto is historically remembered as having designed the urban bridges, railway networks, and the well-structured railway stations in the Vienna. His design and architectural work is used as the historical references while looking back to the previous centuries.

The movement Otto is linked with is the union of the Australian artists or the Vienna succession. He joined this movement in order to unite both the national and the international artists. The context and the style Otto is associated with is the facade decorations design in the structural designing systems he undertaken. Otto Wagner’s Movement and Style Otto Wagner was a member of the Vienna Secession Group of Artists whose styles were varied with no single style uniting the work of members of the Secession.

One of the primary concerns of the Secessionists was to explore the possibility of developing an art movement that would be able to operate outside the confines of academic tradition. Most of the members of the group such as Otto Wagner particularly hoped to create and develop a style that is free from the historical influence. With regard to their architecture, Secessionists preferred to decorate their buildings using linear ornamentation2. With regard to his style, although the early works of Otto Wagner were primarily designed in the already established New-Renaissance style, he gradually shifted his style from New- Renaissance to Art Nouveau as was evidenced by his later architectural designs.

Additionally, as an architectural school teacher, Wagner particularly stressed and fused art Nouveau/Secession style to his students. Art Nouveau was largely an ornamental artistic design style that flourished between 1890 and 1910 in several parts of the Europe as well as the United States. The style was characterized by the use of long sinuous and organic lines and was employed not only in architectural design but also in jewelry, interior design, posters, glass